At the world’s largest industrial show, KUKA’s booth takes the form of a highly visible, futuristic exhibition structure. Inside it, the market leader in intelligent automation with robotics takes visitors on a trip into networked production landscapes and changing work environments. Cobotics, Cloud Computing or the Internet of Robotics – the thematic areas throughout the brand environment exude and bring to life the spirit of a thought leader and trailblazer for Industrie 4.0.
The Ion endoluminal system is a new robotic platform for minimally invasive biopsy deep in the peripheral lung. The system features an ultra-thin, human-controlled robotic catheter that allows physicians to navigate into hard-to-reach airways with unprecedented stability and precision. Unique to Ion is its innovative shape-sensing technology that measures the full shape of the catheter hundreds of times per second, providing precise location and shape information throughout the entire navigation and biopsy process.
Loong Palace draws on the painting Fairyland of Peach Blossoms by the painter Qiu Ying in the Ming Dynasty for the context. It covers about 17,000 square meters and faces the Western Hills of Beijing. Adhering to the product proposition of cultural relics begets all things in the world, the project becomes a new landscape combined with the pith of southern and northern gardens to realize the ideal living environment for modern people.
Bodu in Chinese is translated to the act of stopping by to rest during a journey. This act of contemplation encompasses the attempt to create an oasis for travelers on the ancient silk route. The design focuses on the exterior canopy which connects different parts of the hotel. Like the trade outposts of old, the canopy provides public spaces that connects with the nature. Visible boundaries are also weakened between different interior spaces, allowing guests to make connection more freely. The most important thing about design is not the form of design, but the value of experiencing nature.
Typeface is a calendar designed around the concept of the typeface. The set contains four sheets, consisting of the months from January to December, punched out in an original typeface. You can assemble the sheets into calendar units that each display three months of the year. Quality designs have the power to modify space and transform the minds of its users. They offer comfort of seeing, holding and using. They are imbued with lightness and an element of surprise, enriching space.
The idea of this design is inspired by the culture of Sanxingdui and the shape of cultural relics. The design produces an excavation process of the artistic relics experience. The experience of consumers to open the packaging box seems like to explore a cultural relic. The design enhances an interaction effect between the consumer and the product. The colour of the packaging is mainly black which transfers a mystery and curiosity result.